The Artist’s Letter Rack (1879)
Technique: Giclée quality print
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Discover a unique window into the world of William Michael Harnett with the intriguing painting, "The Artist’s Letter Rack" from 1879. Renowned for his trompe-l'oeil style, which tricks the eye into seeing painted objects as real items, Harnett's work in this piece is a meticulous display of personal and everyday items that invite curiosity and reflection.This painting captures a wooden board that serves as a letter rack, cluttered with an assortment of notes, cards, and envelopes. The precision in Harnett’s painting is breathtaking; the texture of wood is rendered with astonishing realism, showing natural grain, worn patches, and even small scribbled figures and calculations that add to its authenticity. Dominating the composition is a prominent geometric wire frame in a striking pink color, intersecting between various letters and miscellaneous papers.Each item in the painting holds its own story, contributing to a snapshot of the artist’s life during that era. Among these are envelopes with visible addresses and stamps, perhaps hinting at the communication style and widespread connections of the time. Notably, small, seemingly trivial details, such as a torn card or a string placed casually over the board, transform this piece from a simple still life to a personal narrative, capturing moments of Harnett's everyday life and his interactions with the world."The Artist’s Letter Rack" is not only an art piece but also a historical document providing insights into the life and times of the late 19th century.
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William Michael Harnett was an Irish-American painter known for his trompe-l'œil still lifes of ordinary subjects.
Harnett was born in Clonakilty, County Cork, Ireland during the Potato Famine. Shortly after his birth, his family emigrated to America and settled in Philadelphia. in 1868 after becoming a citizen of the United States, the boy earned a living by engraving designs on table silver, and also attended night classes at the Pennsylvania Academy of the Arts, and later at Cooper Union and National University in New York. His first known oil painting, a still life, dates from 1874.