With the Staats Zeitung (1890)
Technique: Giclée quality print
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Dive into the captivating realm of still life with William Michael Harnett’s masterful painting "With the Staats Zeitung" from 1890. Renowned for his intricate detail and the vivid realism of his works, Harnett presents an evocative piece that delves into the tactile and visual textures of everyday objects.This painting features a carefully arranged selection of items that resonate with personal and cultural significance. Centerstage is a partially unfurled newspaper titled "Staats Zeitung," possibly indicating a connection with the German-American community of that era. Accompanying the newspaper is a robust pipe with its striking amber bowl turned towards the viewer, its form capturing the inviting glow of polished wood and the darker, well-used stem.Beside these, a stein with a pewter lid suggests a moment of leisure or a quiet end to a day. The stein's surface is textured and mottled, hinting at frequent use and the comfort of habitual routines. A box of matches and spilled tobacco leaves further suggest the immediacy of human presence, as though the owner has just stepped away.This assembly is not just a random grouping but a tableau that invites viewers to ponder the story behind these objects. Harnett's skill in rendering different materials—from the translucency of glass to the opacity of paper and the sheen on wood—makes this painting a study in perception and the beauty found in ordinary scenes.
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William Michael Harnett was an Irish-American painter known for his trompe-l'œil still lifes of ordinary subjects.
Harnett was born in Clonakilty, County Cork, Ireland during the Potato Famine. Shortly after his birth, his family emigrated to America and settled in Philadelphia. in 1868 after becoming a citizen of the United States, the boy earned a living by engraving designs on table silver, and also attended night classes at the Pennsylvania Academy of the Arts, and later at Cooper Union and National University in New York. His first known oil painting, a still life, dates from 1874.