Portrait de fillette

Technique: Giclée quality print
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More about this artwork

Theo van Rysselberghe, a master of neo-impressionism, invites viewers into an intimate world with his charming work, "Portrait de fillette". This painting captures the delicate essence of a young girl seated on an elegantly patterned sofa. Her attire, a white dress adorned with soft, pink ruffles, epitomizes the innocence and elegance of childhood.The girl’s expression is thoughtful, almost introspective, suggesting a depth beyond her years. Her eyes seem to gaze through and beyond, engaging viewers in a moment frozen in time. Rysselberghe's skillful use of light accentuates the texture of her dress and the softness of her hair ribbon, creating a realistic portrayal that is both tender and poignant.What is particularly striking in this piece is the artist’s handling of color and texture. The background's muted greens and browns provide a subdued contrast to the vibrant whites and pinks of the girl’s attire, directing all attention rightfully towards the subject."Portrait de fillette" stands as a testament to Theo van Rysselberghe’s capability to convey deep emotional resonance through subtle yet powerful use of color and form.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Théophile "Théo" van Rysselberghe was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.

Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Académie Royale des Beaux-Arts in Brussels under the directorship of Jean-François Portaels.