Breton Women with Umbrellas (1892)
Technique: Giclée quality print
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---Welcome to an artistic journey into Emile Bernard's remarkable 1892 painting, . This masterpiece captures the serene and contemplative moments of Breton women, set against the vibrant and emotional landscape of Brittany, France.In the foreground, two women, one seated and one kneeling, are depicted under the cover of a large, neutral-toned umbrella. They are dressed in traditional Breton costumes, enveloped in dark garments that blend harmoniously with the earthy tones of the backdrop. Their faces, framed by white headpieces, suggest a moment of quiet introspection or conversation that draws viewers into the scene's peaceful ambiance.Beside them, three additional women stand erect, their solemn expressions and upright postures suggesting a narrative of resilience and solidarity. The combination of their statuesque form and the flowing lines of their attire adds a dimension of strength and grace.Bernard's use of a flattened perspective and bold contours reflects the influence of cloisonnism, a style noted for its clear outlines and patches of color. The background divides into colorful sections of green, blue, and gold, which though simple, creates a captivating patchwork that contrasts with the main subjects.Each element in -- from the use of color and form to the depiction of traditional costumes and figures -- tells a story of cultural identity and emotional depth. Bernard's painting not only highlights the unique beauty of Brittany but also immortalizes the serene moments of daily life in its rich tapestry.
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Émile Henri Bernard (28 April 1868 – 16 April 1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first-hand information on the crucial period of modern art to which Bernard had contributed.