Maleische vrouw (1919)
Technique: Giclée quality print
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The artwork "Maleische vrouw" by Johannes Frederik Engelbert ten Klooster is a compelling example of expression through simplicity and contrast. Created in 1919, this monochromatic woodcut print presents a stylized portrait of a Malay woman encompassed by rich, natural motifs, which add layers of texture and depth to the composition.The piece skillfully combines bold black and white contrasts to accentuate its components. The woman's profile is gracefully outlined, her facial features rendered in smooth, flowing lines that suggest a serene and contemplative state. This profile is set against a backdrop brimming with elements of nature. To her left, lush foliage and fruit clusters suggest abundance and fertility, reinforcing the theme of natural beauty.A highly notable aspect of this work is the decorative round motif directly behind the woman’s head, resembling a halo or a celestial body, possibly symbolizing enlightenment or spiritual significance. The use of such symbols imbues the portrait with a sense of dignity and reverence, elevating the subject's presence on the canvas."Maleische vrouw" stands as a testament to Ten Klooster’s ability to blend Western art techniques with Eastern themes, reflecting his experiences in Indonesia. This artwork not only offers aesthetic pleasure but also invites viewers to delve into cultural narratives, exploring the rich tapestry of Malay identity through the lens of early 20th-century art.
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Johan Frederik Engelbert ten Klooster was a Dutch graphic designer and painter of Javanese-Dutch origin.
He lived and worked in Java and Sumatra, in New Guinea, in The Hague (approx 1914-1915) and in Veere from May 1915. He was an officer with the KNIL, but after 1915 a full time artist.