Springtime (circa 1725)

Technique: Giclée quality print
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More about this artwork

"Springtime," a charming oil painting by the French artist Jean-Baptiste Pater, invites viewers into a bucolic 18th-century scene set in a vibrant and light-filled landscape. Painted circa 1725, this artwork reflects the Rococo style, celebrated for its ornate and whimsical qualities.The painting presents a calm, earthly pleasure-filled vignette, portraying a group of elegantly dressed figures, possibly noblefolk, enjoying the leisure and beauty of springtime. The scene is set in a serene, idyllic landscape with expansive views stretching towards a distant sea under a soft sky. On the left, several women and men are gathered around a wooden tub, engaged in the gentle pastime of either washing or playing with flowers, a popular theme symbolizing rebirth and natural beauty in Rococo art.To the right, a small interaction unfolds between two figures near a tall, slender tree which, alongside the gentle undulation of the landscape, helps frame the painting beautifully. The interaction of the human figures with their natural surroundings, highlighted by Pater’s soft brushwork, imbues the scene with a sense of harmony and peacefulness typical of pastoral themes."Springtime" not only captures the essence of the season but also reflects the Rococo’s fondness for scenes of leisure and the outdoors, making it a delightful visual representation of the era’s aesthetic preferences and social customs.

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Jean-Baptiste Pater was a French rococo painter.

Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Académie in 1728, presenting a large military work in the popular Watteau style: La Rejouissance des Soldats (Louvre).