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Portrait Of Maria Rosa Krebs-Schüpbach (1876) reproduction of painting by Ferdinand Hodler. ALL GICLEE PRINTS

Portrait Of Maria Rosa Krebs-Schüpbach (1876)

Ferdinand Hodler
Technique: Giclée quality print
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Dive into the serene and commanding presence captured in Ferdinand Hodler’s 1876 masterpiece, "Portrait of Maria Rosa Krebs-Schüpbach." This painting, a true gem of the artist's oeuvre, stands as a testament to the sophisticated technique and emotional depth characteristic of Hodler's work.The portrait depicts Maria Rosa Krebs-Schüpbach in a strikingly voluminous black dress, her pose and expression embodying a quiet dignity. Hodler's attention to detail is evident in the luxurious textures of the fabric, which shimmers under an implied light, suggesting both weight and delicacy. The subject stands against a subdued, monochromatic background that gently draws the viewer’s focus to her poised figure and thoughtful expression.Krebs-Schüpbach holds a small book in one hand, a detail that subtly underscores her intellect and cultural refinement. The detail in the lace and trim of her dress, along with her neatly styled hair, further speak of her meticulousness and the era's stylistic norms.This painting not only serves as a rich visual history but also offers a window into the soul of its subject, rendered with Hodler’s remarkable ability to convey psychological depth and humanistic warmth.

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We create reproductions on demand, with a production time of 5 to 7 business days.

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If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

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Yes, reproductions can be returned.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Ferdinand Hodler
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Ferdinand Hodler (March 14, 1853 – May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".

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