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Sitting Man With Guitar reproduction of painting by Ferdinand Hodler. ALL GICLEE PRINTS

Sitting Man With Guitar

Ferdinand Hodler
Technique: Giclée quality print
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"Sitting Man with Guitar" is a captivating work by Ferdinand Hodler, a prominent Swiss painter known for his unique interpretation of Symbolism and Art Nouveau. Painted in a composition of loose and expressive brushstrokes, this painting portrays a man dressed in vibrant red, leisurely seated with a guitar resting on his lap. The man's relaxed posture and the casual draping of his vivid attire contrast with his introspective expression, suggesting a moment of quiet contemplation or a pause in a musical session.The painting's background is understated yet textured, directing focus to the figure and his immediate surroundings. A jug on the floor next to him hints at a domestic setting, perhaps a personal space where music and introspection intertwine.Hodler's use of color and form in "Sitting Man with Guitar" subtly conveys the emotional and psychological state of his subject, making this painting more than just a simple portrait but a window into a serene, introspective moment captured in time. This artwork stands out for its expressive realism and the way it communicates the mood and personality of its subject through color and brushwork.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Ferdinand Hodler
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Ferdinand Hodler (March 14, 1853 – May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".

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