I Saw the Figure 5 in Gold (1928)

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Artist: Charles Demuth (1883-1935)Year: 1928Charles Demuth's painting *I Saw the Figure 5 in Gold* is a visually striking example of precision and abstraction that is characteristic of the Precisionism movement in American art. The painting is inspired by William Carlos Williams' poem "The Great Figure," which describes the poet’s dynamic encounter with a fire truck emblazoned with the number 5, tearing through the streets of a city at night.At the heart of the artwork is the bold, gold numeral 5, which is repeated in diminishing sizes to create a sense of rapid motion and dynamism. The painting's background contains much architectural and geometric abstraction comprising sharp lines, forms, and contrasting colors that simulate the frenetic urban environment through which the number 5 moves.On the top left of the canvas, the word "BILL" appears in red against a black backdrop, adding to the graphic quality of the work reminiscent of commercial signage. To the right, fragments of words and numbers contribute to the scene's textual collage, emphasizing a rhythmic, almost musical composition of the painting. This piece not only immortalizes a momentary urban scene but also exemplifies Demuth’s skill in combining text and image in a composition that is as poetic as it is visually compelling.

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Charles Demuth (1883-1935) was one of the leading artists during the American Modernism era. He was distinguished for intimate watercolors and cubic architectural paintings. Demuth studied art at Académie Julian in Paris, where he was welcomed into the avant-garde art scene and met other American Cubism artists like Marsden Hartley. His watercolor figures have a weightless and surrealistic character with a sensitive linear style, in which he illustrated plays and novels such as Émile Zola's Nana. He also depicted an evolving gay scene of encounters at bath houses through watercolors for his close friends, like the "Turkish Bath", works that now are of great historical significance. Demuth later employed a cubist technique by painting industrial factories with complex structural planes, leading him to becoming a pioneer for the precisionist movement.