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Portrait Of The Model Giulia Leonardi (1910) reproduction of painting by Ferdinand Hodler. ALL GICLEE PRINTS

Portrait Of The Model Giulia Leonardi (1910)

Ferdinand Hodler
Technique: Giclée quality print
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We are delighted to present an exceptional piece from Ferdinand Hodler, titled "Portrait Of The Model Giulia Leonardi," completed in 1910. This work elegantly captures the essence of Hodler’s unique style, characterized by a bold use of color and an expressive, somewhat abstracted form.The painting portrays Giulia Leonardi, whose gaze is both inviting and inscrutable, hinting at an inner serenity coupled with a vibrant life force. Her face is rendered with swirling hues of blue and pink, suggesting a dynamic yet introspective personality. Leonardi's dark hair contrasts strikingly against the lighter simulated texture of her skin, illuminated by subtle touches of light that give her complexion a radiant quality.The background, executed with less detail, focuses attention on the model, lending an air of immediacy and intimacy to the portrait. Through Hodler’s distinct brushwork—visible in the thick, energetic strokes—Leonardi's character seems to transcend the canvas, engaging directly with viewers.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Ferdinand Hodler
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Ferdinand Hodler (March 14, 1853 – May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".

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