The Nightingale Pl 5 (1911)
Technique: Giclée quality print
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Edmund Dulac's illustration, titled "The Nightingale: Plate 5," created in 1911, is a visual portrayal deeply rooted in fantasy and rich narrative elements. The painting is part of a series Dalac made to accompany Hans Christian Andersen’s tale "The Nightingale," which captures the profound exchange between nature and human-made splendor in an emotionally compelling story.In this particular painting, there’s a heavy sense of nighttime stillness and an almost dreamlike quality that envelops the scene. A figure, ostensibly the Emperor of China from Andersen's story, lies asleep or perhaps indisposed on an opulent bed, embodying wealth and status, evident through the rich textures and colors of the bedding and the surrounding luxurious drapery.Standing beside the bed is a mystical creature, depicted as an elderly man with features reminiscent of traditional Chinese nobility, wearing elaborate garments and a striking headdress. His expression is composed, bearing a weight of wisdom or concern as he reaches out, presumably to comfort or possibly heal the ailing emperor. The room is filled with subtle details, such as potion bottles possibly indicating sickness and wellness attempts, enhancing the story’s context. The scene is further dramatized by an ornate dragon-like sculpture that winds down from the ceiling with a watchful, protective presence, adding to the mystical aura of the painting.Edmund Dulac’s choice of a muted, cool color palette with hints of gold and the detailed texture work evoke a serene, somber atmosphere, ideal for a tale entwining the natural and the supernatural.
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Edmund Dulac (born Edmond Dulac; 22 October 1882 – 25 May 1953) was a French-British naturalised magazine illustrator, book illustrator and stamp designer. Born in Toulouse he studied law but later turned to the study of art at the École des Beaux-Arts. He moved to London early in the 20th century and in 1905 received his first commission to illustrate the novels of the Brontë Sisters. During World War I, Dulac produced relief books and when after the war the deluxe children's book market shrank he turned to magazine illustrations among other ventures. He designed banknotes during World War II and postage stamps, most notably those that heralded the beginning of Queen Elizabeth II's reign.