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The Virgin and Child (c.1665 - c.1670) reproduction of painting by Bartolomé Estebán Murillo. ALL GICLEE PRINTS

The Virgin and Child (c.1665 - c.1670)

Bartolomé Estebán Murillo
Technique: Giclée quality print
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We are delighted to showcase "The Virgin and Child," a poignant work by the renowned Spanish Baroque painter Bartolomé Esteban Murillo, dating from around 1665 to 1670. This exquisite painting is celebrated for its delicate portrayal of maternal affection and celestial purity.In this tender composition, Murillo captures the Virgin Mary holding the Christ Child. Mary’s eyes, imbued with a serene gaze, reflect a profound sense of love and devotion towards her child. The softness of her features and the gentle way she supports the Child highlight her role as both a protective mother and a divine figure. The Christ Child looks directly out towards the viewer with an expression of innocence and trust, enhancing the painting's intimate feel.Murillo's use of color and light adds a rich vibrancy to the scene. The Virgin is clothed in a red and blue robe, traditional colors that symbolize her humanity and divinity. The warm glow on both figures' skin, contrasted with the subdued background, draws the viewer's focus directly to their interaction."The Virgin and Child" is not only a religious icon but also a masterpiece of Baroque art, offering a glimpse into the era's artistic focus on emotion and naturalism.

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We create reproductions on demand, with a production time of 5 to 7 business days.

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If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Bartolomé Estebán Murillo
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Bartolomé Esteban Murillo (December 1617, January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them.

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