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Plague take it! Why doesn’t it stay down when I hit it (1911) reproduction of painting by Udo Keppler. ALL GICLEE PRINTS

Plague take it! Why doesn’t it stay down when I hit it (1911)

Udo Keppler
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Udo Keppler's 1911 painting, "Plague take it! Why doesn’t it stay down when I hit it," delivers a striking and satirical commentary on the theme of high protection and economic monopolies during the early 20th century in the United States. In this vividly colored illustration, Keppler uses his artistic prowess to encapsulate concerns about the dynamics of power and economic control.The scene is dominated by a robust, serious man sitting uncomfortably in front of a 'Sectional View: High Protection' map, which emphasizes the deep-rooted nature of protectionist policies. Below this imposing figure, a smaller, caricatured man ferociously attempts to keep figures representing 'Monopoly' submerged in a container labeled with the same word. His struggle illustrates the relentless and perhaps futile efforts by some to control these powerful monopolistic entities which continue to resurface, despite being repeatedly knocked down.Keppler’s work, rich in allegory and expressive facial expressions, is a prime example of political cartooning, where imagery and text combine to critique topical economic policies. His portrayal not only provides historical insight but also invokes a sense of ongoing relevance in discussions about market control and economic regulation.

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Udo Keppler
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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.

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