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The Marsh Flower, a Sad Human Head (1885) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

The Marsh Flower, a Sad Human Head (1885)

Odilon Redon
Technique: Giclée quality print
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Odilon Redon, a preeminent figure in the Symbolist movement, brings us another fascinating masterpiece in "The Marsh Flower, a Sad Human Head" from 1885. Redon's artwork often delves into the realm of the fantastical and the macabre, exposing the darker, more introspective corridors of the human psyche.This particular piece embodies the artist's unique style of blending the surreal with the somber. The painting depicts a peculiar, almost haunting image of a pale, human face emanating from the calyx of a slender, dark stalk that rises from the watery depths of a marsh. The face, surrounded by a radiant aura, looks outward with an expression tinged with melancholy and introspection. The backdrop, a deep, immersive blackness, and the scattered luminescent orbs contribute to an eerie sense of isolation and emotional depth.Redon’s work is a personification of the flower as a sad, human entity—merging the botanical with the human form to elicit a strong emotive response from the viewer. This combination crafts a visual metaphor for human emotions and the natural world's inexplicable, often overlooked melancholies."The Marsh Flower, a Sad Human Head" is not just a visual creation but a journey into the depths of emotional and symbolic exploration.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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