Extra session of the House of Representatives of the Fifty-fifth Congress (1897)

Technique: Giclée quality print
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Udo Keppler's painting, "Extra Session of the House of Representatives of the Fifty-fifth Congress (1897)," offers a satirical perspective on political proceedings of the era. This engaging depiction, filled with vibrant colors and expressive details, represents not just an ordinary scene but a critical commentary on the political landscape of the time.The focus of the artwork is a caricatured figure, a corpulent man who appears to be lounging comfortably across a bench made from desks in the House of Representatives. His exaggerated presence, taking up a significant portion of the scene, seems to symbolize an overwhelming influence or perhaps the overbearing nature of certain political figures during this period. The man is dressed in a formal suit, an indication of his authoritative role, and his relaxed posture and smug expression suggest a casual, if not dismissive, attitude toward his duties or surroundings.In the background, the House of Representatives is portrayed almost theatrically empty, save for one other figure, also depicted in a caricature manner. This figure sits at a podium, wielding a gavel, which might suggest his role as a speaker or a person of command, yet his small and distant form contrasts sharply with the dominant character in the foreground.Adding to the symbolic depth, the American flag drapes prominently beside the figure at the podium, introducing a patriotic element that juxtaposes the seemingly cynical main portrayal.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.