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Enfant nu (circa 1906) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Enfant nu (circa 1906)

Odilon Redon
Technique: Giclée quality print
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"Enfant nu" by Odilon Redon, created around 1906, is a powerful example of the emotional depth and subtlety the artist is revered for. This charcoaled depiction portrays a young child standing alone, his posture suggesting a mix of vulnerability and introspection. The child's eyes, shaded with a dark ambiguity, look beyond the viewer, inviting one to ponder what thoughts may be stirring behind those deep gazes. Redon's mastery in utilizing soft shadows and nuanced lines accentuates the fragile yet poised figure of the child, capturing a moment both timeless and evocative.Rendered predominantly in grayscale, the artwork employs light and texture to highlight the form and emotional resonance of the subject. The unadorned background ensures that all attention remains locked on the subtle interplay of light and shadow across the child's body, guiding the viewer into a contemplative silence. Redon's choice to depict the child in a near-sculptural form elevates the work, aligning it with a sense of classical beauty and purity."Enfant nu" is not just a study of form but an intimate portrayal of human emotion, exploring themes of innocence, solitude, and perhaps a contemplation beyond what is visible.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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