Dünenlandschaft in der Bretagne (1910)

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Marie Egner, a distinguished painter known for her vivid landscapes, brings to life the serene beauty of Brittany’s coastal dunes in her 1910 painting, "Dünenlandschaft in der Bretagne" (Dune Landscape in Brittany). The artwork masterfully captures a tranquil moment at a remote stretch along the Brittany coast, offering viewers an expansive view filled with subtlety and depth.In the foreground, Egner employs delicate brushstrokes to depict various clusters of wildflowers and hardy plants, their blues and greens gracefully standing out against the soft, sandy hues of the dune. These plants, resilient against the coastal winds, add a touch of vibrant life to the predominantly earthy tones of the scene.The composition leads the viewer's eye along a descending sandy path, nestled between dunes, towards a calm water body in the middle distance. The quiet estuary, reflecting soft sky blues and gentle earth tones, complements the overarching peacefulness that defines the painting.Above, a dynamic, yet subdued sky, characterized by layered gray clouds interspersed with patches of white and blue, crowns the landscape. This sky not only enhances the moody atmosphere but also encapsulates the often temperamental weather of coastal regions.Egner's skillful use of perspective and light invites contemplation, drawing viewers into a moment of calm and introspection. This artwork not only highlights the natural beauty of the Brittany landscape but also reflects Egner’s profound connection to the places she painted, capturing both the visual and emotional essence of the scene."Dünenlandschaft in der Bretagne" remains a captivating example of Marie Egner’s contribution to landscape painting.

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Marie Egner was an Austrian painter.

Egner was born on 25 August 1850 in Bad Radkersburg, Austria. She took her first drawing lessons in Graz with Hermann von Königsbrunn, then went to Düsseldorf from 1872 to 1875, where she studied with Carl Jungheim. In 1882, she went to Vienna to live with her mother, but spent her summers at the art colony in Plankenberg Castle, near Neulengbach, where she took lessons with Emil Jakob Schindler until 1887. A study trip to England followed from 1887 to 1889. Shortly after, her first exhibition was held at the Vienna Künstlerhaus. She also exhibited in Germany and England.