La République éclairant l’Eglise et l’armée

Technique: Giclée quality print
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More about this artwork

We are proud to present an evocative piece by Théophile Alexandre Steinlen, titled "La République éclairant l’Eglise et l’armée." This exquisite sketch captures a powerful historical commentary in Steinlen's signature style.The artwork depicts three figures, each representing monumental societal entities in France: a female figure embodying the Republic holding a candle, a clergyman representing the Church, and a soldier epitomizing the Army. They are presented closely side-by-side, symbolizing the intricate and, often, complicated relationship between state institutions.Steinlen’s technique is evident in his expressive lines and use of shadow, creating a stark visualization that underscores the tension and dependencies among these pillars of society. The candle held by the female figure perhaps signifies enlightenment, guiding or influencing the Church and the Army with its subtle yet undeniable flame. The characters’ intense and solemn expressions invite viewers to reflect on the roles and interactions of these institutions in shaping societal norms and governance.This piece not only highlights the artistic mastery of Steinlen but also serves as a poignant reflection on governance, power, and societal structure. We invite our visitors to delve deeper into this artwork, exploring its historical context and its relevance in discussions on the interplay of state mechanisms.

Delivery

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Yes, reproductions can be returned.

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Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker.

Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.