A Woman Seated Seen from Behind

Technique: Giclée quality print
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More about this artwork

Giovanni Boldini, celebrated for his skillful depiction of movement and light, offers a unique and introspective piece with "A Woman Seated Seen from Behind." In this captivating drawing, the viewer is presented with the intimate and tranquil scene of a woman, seated in a wooden chair, her back to the observer. The work is characterized by Boldini's dynamic yet delicate pencil strokes, which capture both the form and the subtlety of human presence.The anonymous woman is adorned in a gracefully draped garment, its folds and textures rendered with exquisite attention to detail, suggesting the fluidity and softness of the fabric. Her hair is elegantly twisted and pinned at the back, adding to the air of gentle repose. The chair, a simple yet potent symbol of domestic life, is depicted with angular lines that contrast with the soft curves of the woman's attire, bringing a geometric balance to the composition.Boldini's mastery in sketching is evident in the way light and shadow play across the surfaces within the drawing, creating a sense of depth and volume. This piece is not merely a study of form but also an exploration of the quiet moments of everyday life, inviting viewers to ponder the story behind the woman's reflective pose.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Giovanni Boldini (31 December 1842 – 11 January 1931) was an Italian genre and portrait painter who lived and worked in Paris for most of his career. According to a 1933 article in Time magazine, he was known as the "Master of Swish" because of his flowing style of painting.