Les Deux Enfants, Vernouillet (1909)

Technique: Giclée quality print
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Artist:"Les Deux Enfants, Vernouillet" offers a captivating glimpse into the rural tranquility of early 20th-century France. Painted in 1909 by the renowned French artist Pierre Bonnard, this artwork harmoniously blends vibrant colors and dynamic compositions to capture the essence of a serene countryside landscape.The painting portrays a picturesque scene at Vernouillet, featuring two children walking beside a rural house, which gives the work its title. The serene landscape unfolds under a vast, moody sky that looms over the rustic setting. The country house, with its sloping red-tiled roof and white facades, nestles perfectly into the sprawling green fields around it. Bonnard's use of orange, green, and beige hues breathes life into the fields, infusing the scene with a warm, autumnal quality.Bonnard, known for his intimate portrayals of everyday life, fills this landscape with a sense of peacefulness and timelessness, inviting viewers to reflect on the simplistic beauty of rural existence. The two children, depicted in shadowy outlines, add a human element to the scene, suggesting moments of childhood and the continuation of daily life against the backdrop of nature's enduring presence."Les Deux Enfants, Vernouillet" is not just a depiction of a place but a vivid illustration of the moment, captured through the eyes of a master colorist.

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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married.