Pont Neuf from the Quai de l’Ecole, Paris (1829)

Technique: Giclée quality print
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More about this artwork

David Cox’s 1829 watercolor, "Pont Neuf from the Quai de l’Ecole, Paris," captures a bustling moment along one of the most renowned bridges in Paris. The artwork vividly depicts the lively atmosphere of urban Paris in the early 19th century, characterized by the flux of pedestrians and the steady movement of horse-drawn carriages. The Pont Neuf, known as the "New Bridge" despite being the oldest bridge across the Seine River in Paris, is portrayed in meticulous detail, showcasing its famous arches which have stood as silent witnesses to the city’s evolution.The painting is composed with a remarkable perspective that draws the viewer’s eye along the busy quay and towards the bridge itself. The crowded scene is balanced by a crisp, expansive sky, suggesting the openness above the city's incessant activity. The structures lining the street display Parisian architectural elegance, their façades detailed under a soft, natural light that suggests the time of day might be just after morning or approaching the late afternoon.Cox's use of watercolor allows for a play of light and shadow that gives life to the stone of the buildings and the flowing waters of the Seine below. His technique also captures the transient qualities of light and movement, mirroring the fleeting moments of daily life in a major city. This piece not only provides a historical glimpse into the urban landscape of 19th-century Paris but also evokes the continuous motion and vitality inherent to city life.

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David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism.

He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour.

Although most popularly known for his works in watercolour, he also painted over 300 works in oil towards the end of his career, now considered "one of the greatest, but least recognised, achievements of any British painter."

His son, known as David Cox the Younger (1809–1885), was also a successful artist.