Dives and Lazarus (1910)

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"Dives and Lazarus" (1910) is a vividly engaging painting by Udo Keppler that utilizes symbolism and rich imagery to depict contrasting views on wealth and poverty. In this eye-catching piece, Keppler presents two main figures representing the tale of Dives, a symbol of monopoly and affluence, and Lazarus, an emblem of destitution and neglect.On the left, Dives is illustrated as a rotund, richly attired man with the word "Monopoly" emblazoned across his torso, suggesting his control over wealth and resources. He indulges in an extravagant feast, portrayed by an opulent table decked with a variety of foods and a large, prominently smoked piece of meat labeled "Alaska S.A. Resources," hinting at exploitation or imperialism linked with business interests in Alaska during that era.On the right, in stark contrast, Lazarus appears as a poor, humble man in tattered clothing, imploringly reaching out towards the feast. His desolate condition and desperate posture invoke sympathy and highlight the disparity between the wealthy and the poor.The scene is set against an architectural backdrop with classical elements, suggesting the timelessness of this social critique. Keppler’s use of vibrant colors and dynamic composition not only draws the viewer's attention but also emphasizes the moral and ethical implications of the narrative.This painting resonates deeply, reminding viewers of the persistent issues related to economic disparity and the human consequences of unbridled capitalism.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.