Chez Maxime
Technique: Giclée quality print
Recommended by our customers
More about this artwork
"Chez Maxime," a captivating illustration by Théophile Alexandre Steinlen, transports viewers to the vibrant social life of Paris during the Belle Époque. This drawing, bustling with activity and character, depicts a lively scene at what appears to be a popular café or bistro, possibly Maxime's, a famed establishment known for its elegant clientele.In this lively tableau, a variety of patrons engage in animated conversation. The center of the composition highlights a man, perhaps an artist, holding a sketchpad and capturing the scene or a patron's portrait, which catches the interest of his table companions and others nearby. He is surrounded by figures adorned in the fashion of the era—heavy overcoats and top hats suggest a chill in the air, possibly positioning this scene in late autumn or winter.Around him, patrons are seated and standing, some curiously peering at the artist’s work, others immersed in their own discussions. A woman elegantly dressed with a large hat embellished with feathers adds a touch of feminine grace to the scene. The mood is casual yet illustrious, suggesting that this café is a hub for the cultural and possibly intellectual elite of Paris.The setting is richly detailed, from the ornate façade of the café to the opulent gas lamps and architectural details, all rendered with Steinlen's characteristic attention to texture and light. The interactions among the figures and their dynamic expressions are captured with remarkable skill, making "Chez Maxime" not just a reflection of a social setting, but a narrative piece that invites viewers to ponder the stories and conversations unfolding within.
Delivery
Returns
Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker.
Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.