The laughter of the gods (1909)
Technique: Giclée quality print
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Udo Keppler's satirical painting "The Laughter of the Gods" from 1909 offers a piercing commentary on political and corporate power at the turn of the 20th century. This illustration depicts four caricatured, corpulent men representing influential political bosses and titans of industry, seated comfortably on a bench that symbolically elevates them above the common scene. Each figure is rendered with exaggerated features and attire that symbolize their roles and influence in society. Notably, their labels - like "Political Boss," "Trust Magnate," and "Dive Keeper" - parody their real-world counterparts, highlighting the intertwining relationships between politics and business.Below the bench, two smaller figures - representing perhaps journalists or politicians - are depicted engaged in a futile scuffle, seemingly oblivious to the amused giants above them. This contrast effectively critiques the disproportionate power dynamics and the often-mocking attitude of the elite towards political or social struggles at lower levels.Keppler’s choice of bold linework and clear, vibrant colors amplifies the comedic yet critical tone of the work, underlining the satirical message about corruption and manipulation in high places.
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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.