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Bassin de Trianon. Versailles (1916) reproduction of painting by Henri Le Sidaner. ALL GICLEE PRINTS

Bassin de Trianon. Versailles (1916)

Henri Le Sidaner
Technique: Giclée quality print
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Henri Le Sidaner's 1916 painting, "Bassin de Trianon, Versailles," is a delicately rendered impressionist work that captures the serene beauty of the gardens at the Trianon Palace in Versailles. In this enchanting canvas, Le Sidaner depicts a tranquil pond surrounded by lush vegetation and blooming hydrangeas that gently sway in the breeze.The artist employs a palette of soft greens, blues, and touches of pink to create a harmonious and inviting scene. The reflection of the sky and trees in the water's surface adds depth and a sense of calm. Le Sidaner's brushwork is loose, allowing the colors to blend beautifully on the canvas, which suggests the fleeting nature of light and color in a natural setting."Bassin de Trianon, Versailles" invites viewers to pause and appreciate the quiet and often overlooked corners of nature. It is an exemplary piece that showcases Le Sidaner's skill in capturing the subtle interplay of light and shadow, and his profound appreciation for the peacefulness found in garden landscapes.

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Artist
Henri Le Sidaner
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Henri Eugène Augustin Le Sidaner (7 August 1862 – 14 July 1939) who was a contemporary of the Post-impressionists, was an intimist painter known for his paintings of domestic interiors and quiet street scenes. His style contained elements of impressionism with the influences of Édouard Manet, Monet and of the Pointillists discernible in his work. Le Sidaner favoured a subdued use of colour, preferring nuanced greys and opals applied with uneven, dappled brushstrokes to create atmosphere and mysticism. A skilled nocturne painter, he travelled widely throughout France and Europe before settling at Gerberoy in the Picardy countryside from where he painted for over thirty years.

Le Sidaner's paintings and pastels were widely collected throughout his career. His seductive views of the gardens he created in the ruins of the medieval fortress at Gerberoy, with their recently vacated tables dappled in sunlight and overhung by roses, have cemented his reputation as a unique artist who does not fit easily into an art movement.

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