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Grand bouquet de fleurs des champs (circa 1900-1905) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Grand bouquet de fleurs des champs (circa 1900-1905)

Odilon Redon
Technique: Giclée quality print
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"Grand bouquet de fleurs des champs" is a captivating oil painting by French Symbolist artist Odilon Redon, created around the early 1900s. This work beautifully showcases Redon's unique ability to blend reality with fantasy, inviting viewers into a lush, vibrant world.The painting depicts a generous assortment of wildflowers, lush and overflowing in a striking green vase. The flowers burst with a variety of colors—vivid reds, deep purples, bright yellows, and gentle whites—all set against a softly textured, neutral background that allows the colors to pop. Redon’s use of light and shadow not only highlights the individual beauty of each flower but also contributes to a sense of depth and volume within the bouquet.Redon's technique is evident in the lively, almost spontaneous brush strokes, giving the flowers a dynamic, almost moving appearance. The choice of wildflowers, as opposed to cultivated blooms, perhaps speaks to the beauty and unpredictability of nature—an enduring theme in Redon’s work.This painting is not just a visual delight but also an invitation to find joy and beauty in the natural world.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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