Oak press, Strangers’ Hall, Norwich. Wall fresco painting, West Stowe, ca. 1550. (1910 - 1911)

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Welcome to a moment captured in time through the artistic gaze of Edwin Foley in his evocative painting titled "Oak press, Strangers’ Hall, Norwich. Wall fresco painting, West Stowe, ca. 1550." Created between 1910 and 1911, this painting transports us into the historic setting of a room rich with the essence of the 16th century.At the center of this piece stands a robust oak press, its large, ornately carved wooden doors undoubtedly suggesting its use as a significant storage piece in the household. Renowned not just for its functionality but also for its craftsmanship, the press commands immediate attention with its decorative panels and sturdy iron fittings.Flanking this central piece are details that stir curiosity about the era’s interior decor and architectural style. To the left, a stained glass window reflects the artistic and religious influences of the time, with heraldic motifs that might tell tales of lineage or allegiances. Adjacent to it, a wall adorned with frescoes features playful and somewhat didactic imagery—a man and woman in elaborate Tudor costumes, conveying social norms or daily activities, and textual inscriptions likely echoing popular proverbs or moral reminders of the period.The right side of the painting balances these rich visuals with another domestic scene, including a chest and a draped cloth, elements that hint at the everyday life and the valued possessions of the household. Notably, the detail and texture in the painting, from the wood grain of the press to the fabric of the cloth, showcase Foley’s meticulous approach to capturing texture and material.This painting is more than an artistic representation; it is a window into the domestic and cultural milieu of Tudor England, meticulously preserved and rendered by Edwin Foley.

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Author and illustrator of The Book of Decorative Furniture, published in 2 volumes by T. C. & E. C. Jack in 1910-11, which featured one hundred reproductions in full colour and one thousand text illustrations. The book went through a number of editions.

Almost nothing has been published about Foley other than that he was a Fellow of the institute of designers.

He was born Edwin John Foley in Fisherton Anger, Wiltshire, c.1859, the second child and eldest son of furniture manufacturer Arthur Foley of the Fisherton Cabinet Works, Salisbury, and his wife Jane. He was at least partly educated in London,  where he lived with his uncle and aunt, Peter and Rhoda Marie Brown.

He worked as a designer for his father from at least the early 1880s, but by 1891 was living in Charlotte Street, Marylebone, with his wife Louisa Maud (nee Hayford), whom he married in 1882. They had three children, Conrad Hayford (b. 1885), Hubert Edwin (b. 1887) and Alan Victor (b. 1888).

Edwin John Foley lived at 294 Camden Road, Middlesex, and died at Cottesloe, Western Australia, on 25 April 1912.

Many more pictures by Edwin Foley can be found at the Look and Learn picture library.