Karnak, 9-30 pm, 22 January 1867

Technique: Giclée quality print
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Welcome to a serene depiction by Edward Lear, manifest in his work "Karnak, 9-30 pm, 22 January 1867." This painting, while minimalistic, evokes a sublime sense of time and place set against the backdrop of the historic ruins of Karnak in Egypt. Lear, primarily renowned for his literary nonsense in poetry and prose, was also a profoundly skilled painter, and this particular piece is a testament to his artistic versatility.The artwork is characterized by a subdued yet evocative palette, dominated by shades of gray and blue, capturing the quietude of a moonlit night. The moon itself, glowing softly in the upper middle portion of the canvas, casts a gentle light across the landscape. The scene is anchored by a towering, solitary obelisk, which stretches upwards, piercing the night sky. Such is the starkness of the obelisk that it partially eclipses the moon, creating a dramatic contrast between the man-made and the celestial.A striking feature of this painting is Lear's use of rapid, sketch-like strokes to render the vast, open sky and the rugged ground. These strokes add a texture that is almost tactile, enhancing the overall desolation and age of the scene. The presence of three figures near the base of the obelisk introduces a scale of human endeavor amidst these grand historical ruins. They appear almost as spectral forms, wandering and pondering the enormity of their surroundings, encapsulating a moment of both insignificance and awe in the face of time's magnitude."Karnak, 9-30 pm, 22 January 1867" by Edward Lear is a powerful exploration of natural and historical grandeur, conveyed through a masterful economy of means.

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Edward Lear (12 May 1812 – 29 January 1888) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised.

His principal areas of work as an artist were threefold: as a draughtsman employed to make illustrations of birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; and as a (minor) illustrator of Alfred, Lord Tennyson's poems.

As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.