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Crue De La Seine, Pont Boieldieu, Rouen (1896) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

Crue De La Seine, Pont Boieldieu, Rouen (1896)

Camille Pissarro
Technique: Giclée quality print
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Depicting a bustling riverside scene, Camille Pissarro's "Crue De La Seine, Pont Boieldieu, Rouen" transports viewers to the vibrant heart of Rouen in 1896. This masterful work captures the Seine River at a moment of heightened activity, reflecting the industrial vigor of the era. The painting shows the Boieldieu Bridge stretching gracefully across the river, serving as a vital conduit for the figures dotting the landscape.Pissarro employs his signature Impressionistic style, using loose brushstrokes to evoke movement and liveliness in the flowing water and busy riverside. The palette is replete with muted greys, blues, and earth tones that suggest a cold, overcast day, while subtle infusions of color in the figures’ clothing add vibrancy to the scene.Boats of varying shapes and sizes ply the waters, their presence suggesting the commercial importance of the Seine as a transportation artery. On the riverbanks, crowds of people go about their daily activities, and horses and carts add to the sense of ongoing commerce and industry.This painting is not only a visual representation but also a historical document that offers insights into the economic life of Rouen during the late 19th century.

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Artist
Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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