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Route À Louveciennes (circa 1870) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

Route À Louveciennes (circa 1870)

Camille Pissarro
Technique: Giclée quality print
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Route À Louveciennes, painted by Camille Pissarro around 1870, is an evocative example of the landscapes that characterize much of Pissarro's work. This painting captures a country road in Louveciennes, a village situated not far from Paris, where Pissarro spent a significant period of his artistic career.In the painting, the viewer is drawn into a serene, rural scene where a shepherd, clad in a smock, guides a flock of sheep along a dusty roadside. The presence of tall, slender trees and lush greenery buffers the clear path and the soft, muted tones of the sky. In the foreground, a figure, possibly a local villager, stands by, witnessing the pastoral daily life unfolding.The composition and brushwork suggest the calm and rhythmic pace of rural life, with subtle hints of movement shown by the gentle sway of the trees and the ambling sheep. Pissarro's use of natural light and shadow, combined with his attention to detail in the textures of the foliage and the figures' clothing, enhances the overall tranquility and realism of the scene.This piece not only reflects Pissarro's mastery in depicting landscapes but also provides a glimpse into the simple, yet profoundly aesthetic, life in rural France during the late 19th century.

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Artist
Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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