Selbstbildnis, Büste im Dreiviertelprofil nach links (1922)
Technique: Giclée quality print
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We are privileged to present "Selbstbildnis, Büste im Dreiviertelprofil nach links" (Self-Portrait, Bust in Three-Quarter Profile to the Left), a profound 1922 work by Max Liebermann, one of the most prominent German painters of his time. This introspective self-portrait reveals the artist in his later years, captured with an extraordinary blend of realism and expressiveness.In this painting, Liebermann depicts himself with an introspective gaze, turning slightly to the left. The brush strokes are vigorous and textured, illustrating his mastery in portraying light and shadow on the aging skin. The choice of earthy and muted tones suggests a reflection on the passage of time, imbuing the work with a sense of both vulnerability and dignity.Liebermann's attire is somber, with a dark suit that speaks to the formal conventions of his era, yet there's a personal touch in the soft rendering of the collar and tie. The artist's profound self-awareness and his commitment to realism are evident in every stroke, especially in the delicate treatment of his facial features and the nuanced expression.This self-portrait not only showcases Liebermann’s skill as a painter but also offers a glimpse into the soul of a man who has lived through shifting artistic and historical landscapes.
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Max Liebermann was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany.
The son of a Jewish fabric manufacturer turned banker from Berlin, Liebermann grew up in an imposing town house alongside the Brandenburg Gate.
He first studied law and philosophy at the University of Berlin, but later studied painting and drawing in Weimar in 1869, in Paris in 1872, and in the Netherlands in 1876–77.