Têtes de chèvres, semis. Flamant, plaque cuivre fondu. (1897)
Technique: Giclée quality print
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Welcome to our exploration of Maurice Pillard Verneuil's remarkable work "Têtes de chèvres, semis. Flamant, plaque cuivre fondu." from 1897. This piece impressively captures the elegance and harmony embodied in the Art Nouveau movement, characterized by its intricate patterns and naturalistic forms.The artwork frames an empty central space with a richly detailed border that exudes a lively, organic feel. The top section features an archway adorned with flowing plant-like motifs that meet at a central point, invoking a sense of nature's symmetry and growth. Flanking the arch are birds perched quietly, contributing to the artwork's serene ambiance.Below, the scene transitions into a more dynamic display where several goats leap gracefully amidst a field of stylized vegetation. This panel not only adds a lively contrast to the peaceful birds above but also serves as a testament to Verneuil's skill in blending movement with decorative art, making the goats appear both realistic and stylized.Completing the composition to the right, stands a solitary flamingo against a backdrop of vertical lines that resemble reeds, emphasizing the bird’s elegance and poise. This part of the artwork highlights the theme of solitude and elegance, standing in contrast to the playful energy of the goats.Overall, "Têtes de chèvres, semis. Flamant, plaque cuivre fondu." is a testament to Verneuil’s mastery over the Art Nouveau style, presenting a world where every detail coexists in harmonious balance, and where both flora and fauna are celebrated with equal enthusiasm and artistry.
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Maurice Pillard Verneuil was a French artist and decorator in the Art nouveau movement. He was born in Saint-Quentin, France. Maurice Pillard Verneuil learned his trade from the Swiss designer Eugène Grasset. Maurice Pillard Verneuil then went on to become a well-known artist and designer. He was inspired by Japanese art and nature, particularly the sea. He is known for his contribution to the art deco movement and, in particular, his use of bold, floral designs in ceramic tiles, wallpapers and other furnishing textiles.