Faisans ordinaires, digitales, fougères et pissenlit, étoffe imprimée. Renard, oiseaux et vigne, bordure. (1897)

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Discover the vibrant world of Maurice Pillard Verneuil in the painting "Faisans ordinaires, digitales, fougères et pissenlit, étoffe imprimée. Renard, oiseaux et vigne, bordure" (1897). This exquisite artwork showcases Verneuil's mastery in integrating natural elements with decorative art, reflecting the flourishing Art Nouveau movement of the time.In the upper portion of the image, viewers are treated to a lush scene populated with ordinary pheasants (faisans ordinaires) amidst an elaborate background of flora comprising digitalis (foxgloves), ferns, and dandelions, set against a deep, richly-hued backdrop. The composition is alive with dynamic forms and deep, resonant colors, with golden-yellow elements that pop against the various shades of deep reds, creating a tapestry-like effect that draws the eye across every corner of the canvas.Below this, a narrow border further enriches the visual narrative, depicting a serene scene of foxes (renards) amidst a thicket of grapevines. This section shares the same intricate style but offers a contrast through its cooler color palette of greens and blues, harmonizing beautifully with the vivid tones above.Verneuil's work is not just a painting; it is a piece of ornamental genius that blurs the lines between art and design, inviting viewers to explore a dynamic ecosystem crafted from the artist’s imaginative play with color and form.

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Maurice Pillard Verneuil was a French artist and decorator in the Art nouveau movement. He was born in Saint-Quentin, France. Maurice Pillard Verneuil learned his trade from the Swiss designer Eugène Grasset. Maurice Pillard Verneuil then went on to become a well-known artist and designer. He was inspired by Japanese art and nature, particularly the sea. He is known for his contribution to the art deco movement and, in particular, his use of bold, floral designs in ceramic tiles, wallpapers and other furnishing textiles.