Fragment of the Great Colossi at the Memnonium, Thebes. (1846-1849)

Technique: Giclée quality print
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More about this artwork

David Roberts' striking lithograph, "Fragment of the Great Colossi at the Memnonium, Thebes," captures a fascinating scene from the ancient ruins of Thebes. Dated between 1846 and 1849, this artwork provides a detailed glimpse into Egypt's rich past, as seen through the eyes of a visiting artist during the 19th century.The scene features majestic remnants of the historic Memnonium, an ancient mortuary temple in Thebes dedicated to the Pharaoh Amenhotep III. Central to the composition is a fragmented colossus, lying horizontally on the ground, its enormity hinting at the past grandeur of the original statues. This massive sculpture's details, such as facial features and headdress, are rendered with exquisite care, emphasizing the artistic and cultural significance these relics held.To the left, viewers can see preserved columns and gateways, adorned with hieroglyphics and sculptural reliefs, leading to what remains of the temple complex. These structures provide a stark contrast to the sprawling desert backdrop, underscoring the enduring legacy of Egypt's architectural prowess.Foregrounding the lithograph are groups of people, depicted in vibrant, colorful attire, engaging in various activities. Some appear to be visitors, likely travelers or explorers, taking in the sights of the ruins, while others, possibly local inhabitants or guides, sit or stand in groups, adding a vibrant human element to the historic and serene landscape.Roberts' work not only documents an archaeological site but also evokes a sense of timelessness and curiosity.

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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.