Libyan chain of mountains, from the Temple of Luxor. (1846-1849)
Technique: Giclée quality print
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David Roberts’ painting, "Libyan chain of mountains, from the Temple of Luxor" (1846-1849), captures an evocative landscape bathed in the light of the Egyptian sun. The artwork offers a sweeping view of the majestic Libyan mountain chain as seen from the historic Temple of Luxor, a monument that dates back to the ancient Pharaonic era. Roberts masterfully uses fine, detailed brushwork to depict the expansive scene, which stretches from the immediate foreground filled with the fragmented pillars of Luxor to the distant, rugged mountains.To the right, a bustling scene unfolds along the riverbank where figures are faintly seen going about their daily activities amidst camels and docked feluccas, traditional Egyptian sailboats. This inclusion of everyday life provides a poignant contrast to the timeless grandeur of the natural and man-made landscapes. The muted color palette, primarily consisting of earth tones, subtly enhances the feel of aridity and the vast expanse of the desert, enveloping the viewer in a serene yet awe-inspiring atmosphere.Roberts' depiction is not just an artistic representation but also an important historical record, reflecting his observations during his travels through Egypt. This painting, like many others by Roberts, reflects his skill in rendering architectural and natural details with accuracy, providing viewers with a window into the majestic landscapes and rich cultural heritage of 19th-century Egypt.
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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.