La Coupe Bleue (circa 1895-98)

Technique: Giclée quality print
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More about this artwork

Titled "La Coupe Bleue" (circa 1895-98), this enchanting piece by Édouard Vuillard explores the interplay of color and form in an intimately scaled composition. The painting prominently features a striking blue bowl centered on a table or ledge, which anchors the artwork with its deep, vivid tones and ribbed texture that catches the eye. Surrounding the bowl, the background is a tapestry of greens, browns, and flecks of vibrant colors, suggesting foliage and flowers with an abstract and atmospheric approach.Vuillard, known for his introspective scenes of interior spaces and everyday life, here possibly steps into a garden or a similarly natural setting, exploring the outdoor light and the beauty found in simple objects. The brushstrokes are loosely applied, creating a lively and dynamic effect that enhances the sense of casual simplicity. "La Coupe Bleue" exemplifies Vuillard's post-impressionistic style and his keen sense of how light and shadow dance over surfaces, bringing an inanimate object to life with emotional resonance.

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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.