The Billiard Room at the Chateau at Clayes (ca. 1930)

Technique: Giclée quality print
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More about this artwork

"The Billiard Room at the Château at Clayes," painted around 1930 by the notable French artist Édouard Vuillard, captures a moment brimming with the quiet intimacy and warmth inherent to Vuillard’s work. In this artwork, the viewer is immersed in a rich, textured interior indicative of the opulent lifestyle once found in the Château. Typical of Vuillard's style, the painting is characterized by its luminous color palette and the soft, blended brushstrokes that lend an almost ethereal quality to the scene.The scene is set in a luxuriously appointed billiard room, with heavy, golden draperies partitioning the space and adding to the atmosphere of secluded tranquility. Three figures are depicted, engaged in leisurely activities rather than focusing on the game of billiards itself, which is a testament to Vuillard’s interest in depicting the social dynamics and daily lives of his subjects. On the left, a figure in a dark dress is absorbed in reading, surrounded by the glow of the indoor light. Center stage is occupied by two women, one dressed in a vivid blue and the other in a soft white, deeply engrossed in conversation or perhaps a quiet activity like sewing.The furniture and ornate decorations, coupled with the lush, blooming flowers, enhance the room’s decor, suggesting a life of comfort and ease. This painting, with its blurred lines and attention to the interactions of everyday life over the grandiosity of the surroundings, encapsulates Vuillard’s post-impressionistic approach which focuses not only on visual pleasure but also on emotional depth.This artwork invites the viewer to step back in time and experience a snapshot of life in the early 20th century, reflecting the beauty found in ordinary moments.

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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.