Le Square Louis XVI (1890)

Technique: Giclée quality print
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More about this artwork

Édouard Vuillard's remarkable pastel drawing "Le Square Louis XVI" encapsulates a serene moment in the tranquil surroundings of a Parisian park. The image is defined by soft, harmonious strokes that evoke the genteel leisure of the 19th-century Parisian life.At the heart of the composition stands a robust, leafless tree, its branches sprawling into the sky, suggesting the bleakness or dormancy of winter. Behind the tree, a gently shaded building exhibits two luminous, arc-shaped windows that appear almost watchful, casting a quiet gaze over the park setting. The yellow tones of these windows contrast vividly with the cooler blues and earthy browns of the surrounding architecture, creating a subtle yet captivating interplay of colors.The foreground is marked by soft green grass, simply but effectively textured, leading the eye towards two figures depicted in minimalistic detail. One figure is seated contemplatively, while the other is in a restful pose, perhaps also sitting or kneeling, adding a human element that is both mysterious and relatable. These figures, shadowed and sketch-like, merge almost imperceptibly with the environment, emphasizing the integration of human figures within their surroundings, a theme Vuillard explored through his intimate interiors and quiet urban landscapes."Le Square Louis XVI" invites viewers to pause and reflect, mirroring the leisurely pace and introspective mood of the depicted figures. Vuillard's masterful use of pastels contributes to the overall softness, underscoring the tranquility and fleeting moments of everyday beauty.

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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.