Woman in Black (c. 1891)

Technique: Giclée quality print
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More about this artwork

Édouard Vuillard, a renowned French artist associated with the Post-Impressionist period, masterfully captures a moment of everyday life in his painting titled "Woman in Black," created around 1891. This artwork exemplifies Vuillard's unique ability to blend intimacy with ambiguity, using his delicate yet decisive brushstrokes."Woman in Black" presents a female figure in Victorian attire, enveloped in a somber black dress that epitomizes the era's fashion. She stands next to a brown table, upon which rests a plate holding a few perfectly rounded oranges. The scene unfolds within a modestly decorated room, with sparse elements that leave much to the imagination of the viewer. Notably, the woman's face is turned away, creating a sense of mystery and prompting viewers to ponder her thoughts or actions at that moment.The painting's muted color palette, primarily consisting of earthy tones, heightens the overall sense of solitude and introspection. Vuillard's application of paint is textured and visibly distinct, allowing each stroke to contribute to the overall mood and setting.This piece is a fine example of Vuillard’s focus on the interiors and the quiet, often unnoticed moments of domestic life. It invites viewers to delve into the narrative behind the painting, exploring themes of solitude, daily routine, or possibly melancholy, which are recurrent in Vuillard's oeuvre.

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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.