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Devant le miroir (recto) (c. 1898) reproduction of painting by Édouard Vuillard. ALL GICLEE PRINTS

Devant le miroir (recto) (c. 1898)

Édouard Vuillard
Technique: Giclée quality print
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"Devant le miroir," a captivating painting by the French artist Édouard Vuillard, dates back to circa 1898. This piece is a beautiful representation of Vuillard's keen interest in intimate, indoor settings and his masterful use of light and texture to evoke mood and character.In this pastel composition, the viewer encounters a woman seen from behind, engaging with her reflection in a large, ornate mirror. The delicate play of light creates a soft atmosphere that is characteristic of Vuillard's style during this period. The woman, dressed in a blouse with voluminous sleeves and striped trousers, is captured in a moment of private contemplation. Her hair is neatly styled, held back by what appears to be a bow, suggesting a setting of casual elegance.The background features striped wallpaper that complements the vertical lines of her trousers, blending the figure into her surroundings and emphasizing the artist's interest in patterns and textures. The use of muted colors combined with subtle strokes enhances the reflective and intimate quality of this scene."Devant le miroir" is not just a portrait but a glimpse into a private, reflective moment, showcasing Vuillard's fascination with the interplay between individuals and their environments.

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Artist
Édouard Vuillard
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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.

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