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Le Chien-Loup À Gérardmer reproduction of painting by Édouard Vuillard. ALL GICLEE PRINTS

Le Chien-Loup À Gérardmer

Édouard Vuillard
Technique: Giclée quality print
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Dive into the intriguing artistry of Édouard Vuillard with "Le Chien-Loup À Gérardmer," a mesmerizing pastel on paper that captures the contemplative essence of a wolf-dog. This unique piece highlights Vuillard’s ability to explore the subtleties of color and form, while drawing viewers into a deeper contemplation of nature and animality.The composition centers around the wolf-dog seated gracefully yet with a reserved poise suggesting both wildness and tameness. Vuillard employs a subdued palette dominated by earthy browns and subtle gold highlights that evoke the animal’s natural habitat. The background, minimalist and abstract, ensures all focus remains on the creature, capturing its fur textures with swift, expressive strokes, adding a dynamic and almost tactile quality to the work."Le Chien-Loup À Gérardmer" not only showcases Vuillard's mastery in portraying intimate subjects but also reflects his ongoing exploration of the boundaries between domesticity and the wild.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Édouard Vuillard
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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.

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