The Assumption of the Virgin (probably mid 1620s)

Technique: Giclée quality print
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More about this artwork

Dive into the celestial splendor of Peter Paul Rubens' mid-1620s masterpiece, "The Assumption of the Virgin." This dynamic and emotionally charged painting captivates viewers with its vigorous portrayal of the Virgin Mary's ascension to heaven, encapsulating both the divine and the human spirit’s ineffable journey.In the painting, Mary is depicted at the center, enveloped in a burst of heavenly light and lifted by a host of cherubic angels. Her figure, draped in flowing robes, glows with an ethereal light, embodying both grace and tranquility amidst the divine ascent. Her arms outstretched and eyes turned skywards, Mary emanates a serene acceptance of her fate, serving as a beacon of faith and divine love.Below, a crowd of apostles gathers around the empty tomb, gazing upward with a mixture of awe and sorrow. Their varied expressions and dynamic postures reflect a profound emotional response to the miraculous event. The richly colored garments and animated faces enhance the dramatic intensity of the scene, highlighting Rubens’ mastery in portraying human emotion and divine interaction.Rubens' skillful use of color and composition pulls the viewer into the moment, creating a sense of upward movement that lifts the eyes and spirit towards the celestial spectacle. The flurry of angels, ranging in expression and activity, adds a vivaciousness that complements the solemnity and majesty of Mary’s figure."The Assumption of the Virgin" is not just a visual retelling of a sacred narrative, but a profound reminder of the beauty and depth of faith. It stands as a testament to Rubens’ artistry and his ability to infuse his works with both emotional depth and spiritual significance.

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Sir Peter Paul Rubens was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.