17th of May in a Small, Norwegian Town (1919)
Technique: Giclée quality print
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"17th of May in a Small, Norwegian Town" by Edvard Munch, painted in 1919, captures the lively essence of Norway’s National Day celebrations. This day commemorates the signing of the Constitution of Norway in 1814, which is an important national event celebrated with much fanfare across the country.In this painting, we see a vibrant and somewhat abstract depiction of a crowd. The figures are rendered in loose, expressive brushstrokes, typical of Munch's later work, showing a departure from the intense emotionality of his earlier paintings like "The Scream." The image is colorful, with lots of motion implied through the swirling forms and the strong, dynamic lines.Foreground elements include figures that appear as if viewed from above, adding a chaotic, festive atmosphere. Children and adults, distinguished by their different sizes and attire, mingle in a public space. A few figures are outlined more clearly than others, such as the child in a blue suit and a person in a dark coat facing away from the viewer, which suggests movement through the crowd.The colors are typically Munch—muted yet expressive, with shades of pink, blue, yellow, and white, lending a joyous feel to the scene. Meanwhile, the background seems to feature flags, possibly hanging as part of the celebration, contributing to the festive atmosphere.
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Edvard Munch (12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, The Scream (1893), has become one of Western art's most iconic images.
His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style.