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Under The Horse Chestnut Tree reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

Under The Horse Chestnut Tree

Mary Cassatt
Technique: Giclée quality print
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The painting "Under The Horse Chestnut Tree" by Mary Cassatt beautifully captures an intimate and tender moment between a mother and her young child. In this artwork, the mother is depicted lying on the ground, supporting her baby who stands partially on her and partially in the air, grasping the mother's hands. This supportive gesture suggests the mother is teaching or helping the baby stand, indicating a moment of growth and development.The figures are set against a simple, soft green background with hints of a leafy branch overhead, suggesting that they are outside, possibly in a garden or a park under a chestnut tree, as the title implies. The attire of the mother is casual yet vibrant, with a striking blue top and a patterned yellow skirt, which adds a lively contrast to the scene. The baby is portrayed nude, emphasizing innocence and the natural aspect of the child's development.Mary Cassatt's style here emphasizes soft forms and a warm, nurturing interaction that is typical of her depictions of mother-child relationships, showcasing her focus on the bonds and intimate moments within everyday family life. The use of light colors and gentle forms enhances the painting’s tender feel, making it a heartfelt representation of maternal love and care.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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