Munich Still Life (1882)

Technique: Giclée kokybės spauda
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"Munich Still Life" is a mesmerizing work by the renowned American still life painter William Michael Harnett, created in 1882. This painting, celebrated for its meticulous attention to detail and deep realism, invites the viewer into a world of tactile textures and subtle interplays of light and shadow.Displayed are meticulously arranged objects that might be found on a table in a Munich tavern during the late 19th century. The composition centers on a large earthenware jug, adorned with blue decorative elements and partially wrapped in what appears to be a paper bearing the number ‘32’. This jug, possibly for beer, underscores Harnett's skill in rendering materials; its surface is palpably stony and cool.Flanking the jug are green beans and oversized white turnips, their roots and textured skins painted with such detail that they seem tangible. To the right, slices of crusty bread and a tipped tobacco pipe add a touch of everyday leisure and comfort. Below the objects, a newspaper, possibly German given the visible gothic script, adds a cultural and temporal anchor to the scene, suggesting not only a specific location but also a moment captured in time during a day possibly like any other.Harnett’s prowess in the trompe l'oeil technique is on full display here, challenging the viewer’s perception of reality and illusion. The dark, muted color palette brings an air of solemnity and introspection, while each object, from the translucent glass to the metallic pipe, is portrayed with the utmost fidelity."Munich Still Life" is a stunning testament to Harnett's mastery over his medium and subject, making ordinary objects extraordinary through his artful depiction.

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William Michael Harnett was an Irish-American painter known for his trompe-l'œil still lifes of ordinary subjects.

Harnett was born in Clonakilty, County Cork, Ireland during the Potato Famine. Shortly after his birth, his family emigrated to America and settled in Philadelphia. in 1868 after becoming a citizen of the United States, the boy earned a living by engraving designs on table silver, and also attended night classes at the Pennsylvania Academy of the Arts, and later at Cooper Union and National University in New York. His first known oil painting, a still life, dates from 1874.