Still Life with a Hare (1698-1705)
Technique: Giclée quality print
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"Still Life with a Hare" by Philipp Ferdinand de Hamilton eloquently captures the rich detail and somber beauty typical of late 17th and early 18th-century still life paintings. In this evocative work, de Hamilton arranges a tableau that features a prominently displayed hare, skillfully rendered with a striking realism that highlights its fur texture and the anatomical precision in its limply hanging form. The hare, suspended upside down, forms the central figure around which other elements harmoniously converge.Accompanying the hare are meticulously depicted game birds, each characterized by individual feather patterns and vibrant colors that contrast deeply with the dark, muted background. This assortment of game, likely a testament to a successful hunt, is accompanied by a hunting horn, subtly symbolizing the pursuit that led to this still scene. The horn, intertwined with a decorative, yet functional-looking bag, adds a touch of nobility and the sport of aristocracy to the composition."Still Life with a Hare" not only showcases de Hamilton’s masterful brushwork and keen eye for detail but also subtly comments on the themes of life, death, and the human connection to nature.
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Philipp Ferdinand de Hamilton, was an 18th-century painter from the Southern Netherlands active in Austria.
He was born in Brussels as the son of the Scottish painter James de Hamilton, who taught him to paint. From 1705 to 1750 he was court painter in Vienna, and he is known for hunting scenes like his brother Johann Georg. He died in Vienna.