The Boating Party
Technique: Giclée quality print
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"The Boating Party" is an evocative painting by Mary Cassatt, an American painter associated with the Impressionist movement. The canvas depicts a serene scene of boating, capturing a moment of both tranquility and intimacy.Central to the composition is a woman, dressed in a light-blue striped dress with a white hat adorned with a pale yellow ribbon, sitting in a rowboat. She holds a small baby snugly wrapped in a pink blanket, likely her child, who gazes curiously upwards. Opposite her sits a man, presumably the boatman or perhaps the father of the child, his back to the viewer. He is dressed in traditional, dark-blue attire with a beret, maneuvering the oar through the water with experienced hands.The backdrop reveals a wide, open expanse of water, dappled with shades of blue and flecked with white, suggesting the shimmer of sunlight. The distant shoreline peeks through beyond, hinting at a serene, possibly suburban or rural landscape.Cassatt’s brushstrokes convey a fluid and dynamic sense of movement in the water, while her use of color adds vibrancy to the scene. The dynamics between the figures—reflective, attentive, caring—enhance the painting’s emotional depth, showcasing Cassatt’s skill in portraying human relationships and everyday activities with warmth and realism.
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Picture in the interior
Technique
Giclée quality print
Short description
Giclée quality print.
Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.
She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.