Centaur (1880 - 1932)

Technique: Giclée quality print
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More about this artwork

Henri van der Stok, a master of capturing the ethereal and the mythological, presents us with a remarkable vision in his etching titled "Centaur" (1880 - 1932). This artwork delves deep into the ancient myths, breathing life into the legendary creature known for its dual nature—part human and part horse. However, van der Stok's interpretation veers from the traditional depiction, offering instead an intriguing blend that evokes introspection and awe.In "Centaur," we see a figure that combines muscular human form with elements that suggest a beastly and majestic aura. The creature’s upper body is that of a robust man, with meticulously defined muscles, reflecting strength and vitality. His head, adorned with lavish and intricate headgear, includes elements that resemble both a classical warrior’s helmet and a creature’s fierce visage, complete with a stylized beard. Subtly, this helmet does not just serve as a protective armor but also as a symbolic crown, suggesting nobility or deity.The background is somber, which starkly contrasts with the finely etched details of the centaur itself. This contrast pulls the viewer’s focus immediately to the figure, highlighting its dramatic and commanding presence. The posture of the Centaur, with one arm extended, suggests a moment of action or declaration, adding a dynamic quality to the static image.Henri van der Stok's "Centaur" is not just a representation of a mythical being but a powerful commentary on the fusion of animalistic instincts and human reasoning. This artwork invites viewers to ponder the dualities within themselves and the primitive yet sophisticated essence of nature.

Delivery

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Returns

Yes, reproductions can be returned.

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Henri van der Stok was born in Indonesia and eventually settled in the Hague.

Van der Stok excelled in woodcut and lithography and did so with style and great skills as a draughtsman. His prints are consistently good. Van der Stok's flair for art deco design is is consistent throughout his oeuvre. In addition to his blockprints, he was also a gifted painter and stained glass artisan. He was a member of the Pulcri studio.