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The Wellington Racecourse in Drizzle (Ostende) (1888) reproduction of painting by Alfred William Finch. ALL GICLEE PRINTS
The Wellington Racecourse in Drizzle (Ostende) (1888) reproduction of painting by Alfred William Finch. ALL GICLEE PRINTS

The Wellington Racecourse in Drizzle (Ostende) (1888)

Alfred William Finch
Technique: Giclée quality print
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Alfred William Finch's 1888 masterpiece, "The Wellington Racecourse in Drizzle (Ostende)," encapsulates a vivid yet tranquil scene through the unique lens of Neo-Impressionism. The artwork exemplifies Finch's mastery of the pointillist technique, where small, distinct dots of color are applied in patterns to form an image.The painting presents a dreary day at the Wellington Racecourse in Ostend, Belgium, under a sky heavy with the suggestion of rain. The expansive grass field is dotted with numerous spectators, rendered almost miniature by the vastness of the landscape. A swath of vibrant green dominates the foreground, partitioned by a wooden fence that leads the viewer's eye toward the racing action in the middle distance.In this serene yet lively setting, the racecourse buildings and distant structures are depicted in soft oranges and reds, contrasting with the cool blues and greens that envelop them, vividly bringing the wet, cool atmosphere to life. Finch's use of color not only captures the physical aspects of the scene but also evokes the damp, chill ambiance of a rainy day at the races.

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Artist
Alfred William Finch
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Alfred William Finch (1854-1930) was a Neo-Impressionist artist born to British parents in Brussels, Belgium. His works utilized the color palette and Pointillism technique, which were shared by other significant figures of the Neo-Impressionism movement, including Paul Signac, Camille Pissarro, and Georges Seurat. Finch was among the founding members of Les XX (Les Vingt), a group of twenty artists based in Brussels that challenged antiquated and conservative artistic traditions and academism. The group held annual art exhibitions, greatly influencing the development of Neo-Impressionism. In his later years, Alfred William Finch also produced ceramics and pottery, decorated with a fusion of his familiar Neo-Impressionism, Arts and Crafts, and Belgian Art Nouveau styles. His artworks primarily portray the atmospheric beauty of nature and the countryside along the Channel coast. Alfred William Finch spent the majority of his artistic career in Helsinki, where he passed away in 1930.

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