Boating (1874)

Technique: Giclée quality print
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More about this artwork

"Boating" is a compelling work by Édouard Manet, painted in 1874, that beautifully captures a serene moment on the water. Set against a backdrop of gentle, rippling waves of azure, the painting features two figures—an oarsman and a female companion—adrift in a small rowboat.The oarsman, dressed predominantly in luminous white, with a straw hat perched atop his head, exudes a sense of calm mastery and casual confidence as he handles the oars. His pose and direct gaze suggest a mixture of focus on his task and awareness of his companion's presence. Seated across from him is a woman reclining comfortably, her attention seemingly caught by something out of sight. She is elegantly attired in a blue dress adorned with ruffles and a hat embellished with floral patterns, echoing the playfulness and lightness of a leisurely day out.Manet's brushwork is loose and fluid, enhancing the sensation of a breezy, clear day. The play of light and shadow, along with the vivid rendering of the boat and clothing, demonstrates Manet's deft handling of color and texture, contributing to the overall impression of a spontaneous moment captured in time."Boating" is not only a stunning example of Manet's skill and his approach to the modern life subjects but also an invitation to ponder the simple joys of leisure and companionship.

Delivery

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Returns

Yes, reproductions can be returned.

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We do not refund shipping expenses.

Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters.